Chamber Music Perspectives Workshop

August 2-10, 2024

Thank you for a wonderful 2024 session!!

About

Launched in 2023, Chamber Music Perspectives Workshop (CMPW) is a unique summer program for advanced young string players in the Dallas-Fort-Worth area to explore both chamber music and music composition.

Learning and performing chamber music is a wonderful way for musicians to build relationships and collaborate with one another, as it involves listening, initiating, imagining, and exchanging ideas. CMPW students will hone all these skills while working on a colorful array of chamber music repertoire, which they will have the opportunity to perform at the end of the workshop.

Chamber music also involves engaging with a composer’s musical language through a written score, created before any of the performers have come together. CMPW aims to provide insight into this composition process, allowing students to explore how pieces are conceived, and in turn, how they might compose music themselves. Regardless of composition experience, CMPW will help students build confidence in translating their ideas and interpretive choices into their own pieces of music, which they will then workshop and present in front of a live audience.

CMPW offers a 3:1 student-to-teacher ratio and stellar faculty from all over the world, who have designed the program specifically for young string players who have been able to reach a significantly advanced level, thanks to their regular teachers and supportive communities in the DFW area. 

Unlike most other chamber music programs across the country, CMPW was founded on the belief that performance and composition go hand in hand—that to build on one is to build on the other, and that both are crucial for young musicians’ abilities to communicate ideas, both in and beyond the music world. We hope that CMPW can be an inspiring nucleus for developing musicians everywhere.

Video from July 2023

Activities

Over the course of 9 days, students will engage in a wide range of performance, composition, and collaboration opportunities. All students will participate in:

  • daily chamber music rehearsals/coachings

  • performance class for solo repertoire

  • session on practicing, scales, and etudes

  • sessions on music composition, where they will build a foundation in music theory, as well as explore repertoire by composers from different centuries, countries, and cultural backgrounds

  • workshops on their own original pieces

  • a final concert presentation at the end of the workshop featuring all groups and student compositions

2024 Coaches & Staff

  • violinist, director

    Canadian-born violinist Shannon Lee grew up in Plano, Texas, and studied for many years with Jan Mark Sloman, former Principal Associate Concertmaster of the Dallas Symphony. She made her solo debut with the Dallas Symphony Orchestra at the age of 12, and has since performed with orchestras such as the Tokyo Symphony, Antwerp Symphony, Belgian National Orchestra, and New York String Orchestra at Carnegie Hall. Shannon has been internationally recognized with top prizes at the Sendai Competition in Japan, Queen Elisabeth Competition in Belgium, Shanghai Isaac Stern Competition, Indianapolis Competition, and Naumburg Competition in New York City. As a chamber musician, she has played at Creative Dialogue France, Krzyżowa-Music in Poland, Music@Menlo in California, Yale University’s Norfolk Chamber Music Festival and Heifetz International Music Institute, where she was Artist-in-Residence and teaching assistant. Among Shannon's major teachers and influences are David Nadien, Ida Kavafian, Arnold Steinhardt, Jaime Laredo, and Vera Beths. Currently based in the Netherlands, Shannon also took lessons at the Conservatorium van Amsterdam in baroque violin and music composition. Her experiences in teaching and, more recently, in composition, converged in the creation of this workshop in 2023. (website)

  • composer, pianist

    Born in St. Petersburg, composer-pianist Arseniy Gusev moved to the US to study at the Cleveland Institute of Music and Yale University, after graduating with honors from the Specialized Music School of the St. Petersburg Rimsky-Korsakov State Conservatory. Among his teachers are Sergei Babayan, Keith Fitch, Chris Theofanidis, and David Lang. Gusev’s compositions include a colorful variety of styles and genres, some of which are solo, collaborative, symphonic, ballet, and opera. He actively performs in the US and abroad, and has given solo concerts in Austria, Belgium, Italy, Slovakia, Russia, and Germany. His compositions are performed in Mariinsky Theater, Carnegie Hall, Konzerthaus Dortmund, St. Petersburg Philharmonic and other major venues. Arseniy is a laureate of many prestigious competitions, such as the Cleveland Piano Virtu(al)oso Competition, Singapore International Piano Competition, Three Arts Piano Competition, Cleveland Composers Guild Contest, and “Another Space” Composition Competition. Arseniy has an exclusive contract with “Kompozitor” publisher house. Among recently published works are 24 Postludes (2018) and 3 Toccatas (2020). (website)

  • composer

    Fueyo is a composer from Tampico, Mexico whose music explores ancient aesthetics and their place in our rapidly changing, contemporary culture. His pieces often reference ancient art and literature investigating idealization, historicism, memory, and transcendence. Recently, his piece Eleventh Heaven—premiered at Severance Hall by Carlos Kalmar & the CIMO for CIM’s 100th Anniversary—received the 68th BMI Student Composer Awards (2020) and the 2020 ASCAP Morton Gould Young Composer Awards. His violin concerto Serpiente de Turquesas—premiered by Shannon Lee and Sunny Xia—also received the 2021 ASCAP Morton Gould Young Composer Awards. Most recently Fueyo was a SFSC Fellow at the Aspen Music Festival (2022) where his pieces 'Hurakán', 'O Condicionado,' and 'Lume in forma di rivera,' were featured. Fueyo is an Interlochen Arts Academy, Cleveland Institute of Music, and Yale School of Music alum where he studied with Keith Fitch, David Lang, Aaron J. Kernis, and Chris Theofanidis. (website)

  • cellist

    Portuguese cellist Mafalda Santos brings to the stage her engaging personality and desire to share music and stories with audiences all over the world. As the winner of over 20 awards from prestigious competitions, she has performed in acclaimed venues such as the Royal Albert Hall and Berliner Philharmoniker. Since her debut with the FIME Ensemble at the age of fourteen, Mafalda has performed as a soloist with symphony orchestras in Europe and the United States. As an avid chamber musician, Mafalda has participated in renowned chamber music series and festivals. Passionate about exploring the impact of classical music in society, Mafalda collaborates with numerous organizations across the US to create innovative and inclusive concerts. Mafalda holds degrees in Cello Performance and Musicology from the Peabody Conservatory, where she studied with Amit Peled on a full scholarship. She is currently pursuing a Doctor of Musical Arts degree at Yale University, studying with Paul Watkins as a George W. Miles fellowship recipient. (website)

  • staff, creative producer, violist

    Reshena Liao is a violinist and violist based in San Francisco, where she has worked as a producer and project manager for the Kronos Quartet / Kronos Performing Arts Association (KPAA) since 2015. She has produced several commercial albums and more than 75 tracks for the group, and helped lead the Kronos Fifty for the Future project, an education initiative that commissioned and released 50 new works (scores, recordings, and more) online, free of charge. Before her time at KPAA, Reshena spent several seasons at Lincoln Center for the Performing Arts, where she worked on the programming and production teams for the Lincoln Center Out of Doors, Midsummer Night Swing, Mostly Mozart, and White Light Festivals.

Quotes

I learned to channel my ideas and thoughts from my head into my music.
It was fun and everyone was so supportive.
I learned how detailed a piece could be and how to incorporate my ideas into music.
I learned the most in how to interact with other players in the ensemble.

Schedule

Typical day schedule:

Larger chamber group – 45 min

Smaller chamber groups – 45 min

Snack break – 15 min

Composition (notation/clefs, intervals, chords, melodies, writing, workshopping) – 45 min

Dates: August 2nd-10th, 2024

Schedule (subject to change):

Fri Aug 2 – Tue Aug 6: from 1:30-4pm
Wed Aug 7: Day off
Thu Aug 8 – Fri Aug 9: from 1:30-5pm
Sat Aug 10: from 1-5pm **Concert at 2:30pm

Final presentation/concert on Saturday August 10th afternoon

Location: Shigeru Kawai Hall at the Kawai Piano Gallery in Plano

(Applications closed)

Please submit 2 videos: 5-10 minutes of a piece of your choice, as well as an etude, recorded within the last six months.

Location

Kawai Piano Gallery in Plano (map)

Special thanks to Kawai Piano Gallery for providing a welcoming space for our project to become a reality!

Contact

Email cmpworkshop.info @ gmail.com with any questions!